Linguistics 001 Lecture 13 Pragmatics
Pragmatics is the study of "how to do things with words" (the name of a well known book by the philosopher J.L. Austin), or perhaps "how people do things with words" (to be more descriptive about it).
We'll consider four aspects of pragmatics in this lecture: speech acts; rhetorical structure; conversational implicature; and the management of reference in discourse.
1. Speech acts
People use language to accomplish certain kinds of acts, broadly known as speech acts, and distinct from physical acts like drinking a glass of water, or mental acts like thinking about drinking a glass of water. Speech acts include asking for a glass of water, promising to drink a glass of water, threatening to drink a glass of water, ordering someone to drink a glass of water, and so on.
Most of these ought really to be called "communicative acts", since speech and even language are not strictly required. Thus someone can ask for a glass of water by pointing to a pitcher and miming the act of drinking.
It's common to divide speech acts into two categories: direct and indirect.
Direct Speech Acts
There are three basic types of direct speech acts, and they correspond to three special syntactic types that seem to occur in most of the world's languages. Examples are given in English, French and Buang (a Malayo-Polynesian language of Papua New Guinea
Although assertions, questions and orders are fairly universal, and most of the world's languages have separate syntactic constructions that distinguish them, other speech acts do not have a syntactic construction that is specific to them. Consider the English sentence,
Most English speakers would have no trouble identifying such an utterance as a threat. However, English has no special sentence form for threats. The if-construction used in (a) is not specific to the speech act of threatening. Such a construction might also express a promise, as in:
or simply a cause and effect relationship between physical events:
A consideration of the syntactic means available for expressing the various speech acts leads us to see that even for the three basic speech acts laid out in the table above, speakers may choose means of expression other than the basic syntactic type associated with the speech act in question.
To some extent, this just reflects the existence of a diversity of means of expression, but a more pervasive reason is that speakers may use indirect rather than direct speech acts.
Indirect Speech ActsReturning to the speech act of questioning, we can easily come up with a number of alternate ways to ask the same question by using sentence types other than interrogative. Let's look again at the interrogative sentence:
A positive answer ("yes") to that question would give the questioner the actual answer she wanted, but now consider (d2)
This is still in the form of a question, but it probably is not an inquiry about what you know. Most of the time, the answer "yes, I do" would be ostentatiously uncooperative. The normal answer we would expect in real life would be "Yes, she did", or "No, she only got a B", or something of the sort. Here the reply is directed to the speech act meaning, not the literal meaning. A simple "yes" answer that responds to the literal meaning would usually be taken for an uncooperative answer in actual social life (for example "Yes, I do") would be heard as "Yes, I do, but I'm not necessarily going to tell you".
Other indirect ways of asking the same question, using the declarative form, are listed in (d3) and (d4).
In the case of the speech act of requesting or ordering, speakers can be even more indirect. As in the case of questions, conventional indirect requests may, taken literally, be questions about the addressee's knowledge or ability. Here is a direct request:
Conventional indirect requests may be expressed as questions as in (e2) and (e3), or as assertions (e4). In context, (e5) and (e6) may also be immediately understood as a complaints, meant as an indirect request for action.
One subtype of direct speech acts exists in English and in many other languages, and allows us to expand the kinds of direct speech acts we can make beyond the three basic types that have their own special syntax. These are the direct speech acts that use performative verbs to accomplish their ends. Performative verbs can also be used with the three basic speech act types as exemplified in (f) - (h), associated with making statements, requests and commands respectively:
To these can be added performative verbs that allow us to directly convey promises, threats, warnings, etc.
In the last sentence, the utterance of the sentence actually accomplishes the act of betting (possibly along with setting aside the money for the bet), and as such, it belongs to the class of ceremonial utterances that accomplish other kinds of changes in the world:
It is clear that not all uses of verbs that can be performative are actually performative in particular utterances. For example, if we change the person or the tense in any of the last seven sentences, they are no longer performative:
In both these cases, the utterance simply reports, and does not accomplish the act of advising or of naming.
The hereby test.
A test of whether or not a particular sentence is a performative utterance is whether or not you can insert hereby before the verb. If the resulting sentence doesn't make sense, it is not a performative:
How many kinds of speech acts are there?
Some researchers have extended the classical lists of "speech acts" to include many actions that are felt to be helpful in analyzing task-oriented dialogs, things like "answer", "accept", "reject" and so forth. One influential set of ideas about this is expressed in the so-called DAMSL ("Dialog Act Mark-up in Several Layers") proposal.
For another, funnier take on an extended set of speech acts, listen to this scene (transcript here) from Chicago's Neo-Futurist group. A similar idea applied to weblog posts is here. There's also Spamalot's "A Song Like This", Da Vinci's Notebook's "Title of the Song", news reports from The Weekly Wipe and The Onion, and the Trailer for every Oscar-winning movie ever.
The tradition of double-talk comedy depends on our ability to infer the rhetorical structure of a presentation without any lexical information at all -- here's John Cleeses doubletalk version of a neuroscience lecture:
2. Conversational implicature
The work of H.P. Grice takes pragmatics farther than the study of speech acts. Grice's aim was to understand how "speaker's meaning" -- what someone uses an utterance to mean -- arises from "sentence meaning" -- the literal (form and) meaning of an utterance. Grice proposed that many aspects of "speaker's meaning" result from the assumption that the participants in a conversation are cooperating in an attempt to reach mutual goals -- or at least are pretending to do so!
He called this the Cooperative Principle. It has four sub-parts or maxims that cooperative conversationalists ought in principle to respect:
(1) The maxim of quality. Speakers' contributions ought to be true.
(2) The maxim of quantity. Speakers' contributions should be as informative as required; not saying either too little or too much.
(3) The maxim of relevance. Contributions should relate to the purposes of the exchange.
(4) The maxim of manner. Contributions should be perspicuous -- in particular, they should be orderly and brief, avoiding obscurity and ambiguity.
Grice was not acting as a prescriptivist when he enunciated these maxims, even though they sound like prescriptions for how to communicate. Rather, he was using observations of the difference between "what is said" and "what is meant" to show that people actually do follow these maxims in conversation. We can see how this works in considering the maxim of quantity at work in the following made-up exchange between parent and child:
The child did not say that her English homework is not done, nor did she imply it in a legalistic sense. Nevertheless the parent is likely to draw this conclusion. The implicit line of argument is something like this: the child would have simply said 'yes', without mentioning any particular subjects, if that answer were true; the fact that she referred to algebra, and did not mention other subjects, suggests ("implicates") that the unmentioned subjects are not done.
Very often, particular non-literal meanings are conveyed by appearing to "violate" or "flout" these maxims. If you were to hear someone described as having "one good leg", you would be justified in assuming the person's other leg was bad, even though nothing had been said about it at all.
A more elaborate taxonomy of types of conversational implicature, with illustrative examples, can be found here.
[Exercise for the reader: the last sentence implicates that you should go read the referenced site. What kind of implicature is that?]
Recent work in Relevance Theory builds on Grice's insight about the nature of communication:
3. Rhetorical Structure
Consider the following paragraph from the introduction to a 2003 magazine article:
At the highest level, there are two units: A, there is a problem with college admissions; B, the results affect everyone involved. The first unit explains something about what the problem is; the second units lists the kinds of people affected and something about their roles in the process.
Some of this rhetorical structure involves the relationships of phrases inside sentences, and some of it involves relationships among sentences or groups of sentences. Like syntactic structures, these rhetorical structures usually seem to be "trees" -- that is, successive subdivisions of larger units into smaller ones.
One difference between syntax and rhetoric is scale -- syntax typically operates on a smaller scale, among words or small groups of words inside sentences, while rhetoric works on a larger scale, typically relating clauses, sentences and whole sections of a discourse.
Another difference is function. Syntactic structure mainly expresses semantic relations like modification, predication, quantification and so on. These are key parts of a basic account of "sentence meaning". Rhetorical structure typically expresses pragmatic relations like exemplification, concession, justification, summary and so on, things that are part of "speaker meaning", the way that people use language to inform or entertain or persuade.
For the past century or two, linguists have been much more interested in syntactic structure than in rhetorical structure. As a result, theories of syntax are much better developed and more widely known. However, there are some interesting accounts of rhetorical structure, including a body of work known as RST (for "rhetorical structure theory"). RST postulates a tree structure of rhetorical relationships, analogous to the tree structures of syntactic relationships. (For an interesting debate about whether rhetorical relationships are indeed tree-like, see this weblog post "Discourse: Branch or Tangle?")
Some linguists are skeptical that rhetorical structure is even a well-defined kind of mental representation that is intrinsic to language, of the kind that syntax seems to be. Thus rhetorical structures might simply be useful patterns that speakers and writers sometimes choose to create or borrow, just as architects and painters may choose certain stereotypical ways of arranging their materials.
On this view, it might not turn out to be possible to list all the possible rhetorical structures, or to uniquely and accurately classify every passage in terms of such structures, any more than we can list all possible hand tools, or necessarily classify all the tools that we find into a fixed taxonomy. After all, someone can always invent a new tool, or a tool that combines aspects of several old ones. However, it is still useful to have an inventory of the tools in common use at a given time, and (even if these skeptics are right) an inventory of common rhetorical structures has a similar sort of value.
4. Managing the flow of reference in discourse.
In conveying a message, we have to consider more than just "who did what to whom." We also have to keep in mind what our listeners know, and how to lay the message out for them in an orderly and understandable way.
We have to be careful not to assume knowledge listeners don't have. If a stranger comes up to us on the street and says, out of nowhere, "what is the frequency?" we are likely to assume that he is crazy, or perhaps mistaking us for someone else. Young children make this sort of communicative mistake all the time, because their ability to model other people's knowledge and belief is not well developed.
Similarly, we have to be careful not to introduce familiar things as if they were new. Aside from being insulting, this can be confusing, since our listeners may try to find a new interpretation to match our implication of novelty. If your roommate says "there's a letter for you on the table", and it's the same old letter that both of you know well has been there for several days, you may waste some time looking for another one.
There are many aspects of language that help to indicate whether a particular piece of information is "old" or "new", and to manage the amount of detail that we use in talking about it, and to make it more or less salient for our listeners or readers. For example, "old information" (part of the earlier content of a discourse, for instance) is referred to using a pronoun, and occurs early in a sentence. What is "new" typically occurs as a noun, and occurs later in the sentence:
In this text fragment, John turns into 'he' when John is "known", and this pronoun occurs at the beginning of the clause that introduces Pearl as new. When Pearl becomes known, she also gets converted to the pronoun 'she' in the next sentence, occupying a slot at the beginning of the next sentence, which in turn introduces the new character, Julie, in the typical sentence-final position.
Here's a more realistic example, taken from a transcript of conversation about fashions that took place in 1991 (sw4746):
The new information "clogs" is put at the end of the phrase that introduces it, and then referred to with a pronoun at the start of the next full sentence that discusses it. Consider how odd it would be to do the opposite, switching the structures of the first and second of B's sentences::
Something similar often happens with indefinite and definite noun phrases ("a man" or "some people" vs. "the man" or "those people"). Here's a real example from another transcribed conversation (sw4787) , this one about family reunions (overlapping speech is marking with #...#):
Here speaker B starts out by saying "they have a president", and then, in adding more information, switches to "the president". The same sort of switch from indefinite to definite occurs in saying "usually they try to elect a family and inside that family, there'll be..." As this switch occurs, nothing is changed about the nature of the concepts that the phrases are naming -- the only thing that changes is the listener's familiarity with them.
Another way to study how we organize and package information according to the communicative context is to look at the usage of different sentence forms with very similar meaning.
(o) I need a nickel.
Now, imagine yourself standing next to a phone booth fishing for change. Someone trying to be helpful might say:
(s) What are you looking for?
Which of (o)-(r) are appropriate responses to each of these?
Studying such potential question and answer pairs shows us that sentences can express the same semantic content and still have different pragmatic circumstances of appropriate usage. This is because language has many devices for indicating what is given and what is new, and questions (explicit or implicit) set up expectations that are respected in the answers.
Deirdre Wilson and Dan Sperber, "Relevance Theory", in G. Ward and L. Horn (eds) Handbook of Pragmatics. Blackwell, 607-632.
Some reflections of these issues in philosophy of law:
Lawrence Solan, "Private Language, Public Laws", Georgetown Law Review, 2004 (preprint here).