From Walker Percy, The Loss of the Creature, 1954.

A young Falkland Islander walking along a beach and spying a dead dogfish and going to work on it with his jackknife has, in a fashion wholly unprovided in modern educational theory, a great advantage over the Scarsdale high-school pupil who finds the dogfish on his laboratory desk. Similarly the citizen of Huxley's Brave New World who stumbles across a volume of Shakespeare in some vine-grown ruins and squats on a potsherd to read it is in a fairer way of getting at a sonnet than the Harvard sophomore taking English Poetry II.

The educator whose business it is to teach students biology or poetry is unaware of a whole ensemble of relations which exist between the student and the dogfish and between the student and the Shakespeare sonnet.

To put it bluntly: A student who has the desire to get at a dogfish or a Shakespeare sonnet may have the greatest difficulty in salvaging the creature itself from the educational package in which it is presented. The great difficulty is that he is not aware that there is a difficulty; surely, he thinks, in such a fine classroom, with such a fine textbook, the sonnet must come across! What's wrong with me?

The sonnet and the dogfish are obscured by two different processes. The sonnet is obscured by the symbolic package which is formulated not by the sonnet itself but by the media through which the sonnet is transmitted, the media which the educators believe for some reason to be transparent. The new textbook, the type, the smell of the page, the classroom, the aluminum windows and the winter sky, the personality of Miss Hawkins---these media which are supposed to transmit the sonnet may only succeed in transmitting themselves. It is only the hardiest and cleverest of students who can salvage the sonnet from this many-tissued package. It is only the rarest student who knows that the sonnet must be salvaged from the package. (The educator is well aware that something is wrong, that there is fatal gap between the student's learning and the student's life: The student reads the poem, appears to understand it, and gives all the answers. But what does he recall if he should happen to read a Shakespeare sonnet twenty years later? Does he recall the poem or does he recall the smell of the page and the smell of Miss Hawkins?)

One might object, pointing out that Huxley's citizen reading his sonnet in the ruins and the Falkland Islander looking at his dogfish on the beach also receive them in a certain package. Yes, but the difference lies in the fundamental placement of the student in the world, a placement which makes it possible to extract the thing from the package. The pupil at Scarsdale High sees himself placed as a consumer receiving an experience-package; but the Falkland Islander exploring his dogfish is a person exercising the sovereign right of a person in his lordship and mastery of creation. He too could use an instructor and a book and a technique, but he would use them as his subordinates, just as he uses his jackknife. The biology student does not use his scalpel as an instrument, he uses it as a magic wand! Since it is a ``scientific instrument,'' it should do ``scientific things.''

The dogfish is concealed in the same symbolic package as the sonnet. But the dogfish suffers an additional loss. As a consequence of this double deprivation, the Sarah Lawrence student who scores A in zoology is apt to know very little about a dogfish. She is twice removed from the dogfish, once by the symbolic complex by which the the dogfish is concealed, once again by the spoliation of the dogfish by theory which renders it invisible. Through no fault of zoology instructors, it is nevertheless a fact that the zoology laboratory at Sarah Lawrence College is one of the few places in the world where it is all but impossible to see a dogfish.


To illustrate... The student comes to his desk. On it, neatly arranged by his instructor, he finds his laboratory manual, a dissecting board, instruments, and a mimeographed list:

                    Exercise 22

     materials:   1 dissecting board
                  1 scalpel
                  1 forceps
                  1 probe
                  1 bottle india ink and syringe
                  1 specimen of Squalus acanthias
The clue to the situation in which the student finds himself is to be found in the last item: 1 specimen of Squalus acanthias.

The phrase specimen of expresses in the most succinct way imaginable the radical character of the loss of being which has occurred under his very nose. To refer to the dogfish, the unique concrete existent before him, as a ``specimen of Squalus acanthias'' reveals by its grammar the spoliation of the dogfish by the theoretical method. This phrase, specimen of, example of, instance of, indicates the ontological status of the individual creature in the eyes of the theorist. The dogfish itself is seen as a rather shabby expression of an ideal reality, the species Squalus acanthias. The result is the radical devaluation of the individual dogfish...

If we look into the ways in which the student can recover the dogfish (or the sonnet), we will see that they have in common the stratagem of avoiding the educator's direct presentation of the object as a lesson to be learned, and restoring access to sonnet and dogfish as beings to be known, reasserting the sovereignty of knower over known.

In truth, the biography of scientists and poets is usually the story of the discovery of the indirect approach, the circumvention of the educator's presentation---the young man who was sent to the Technikum and on his way fell into the habit of loitering in book stores and reading poetry; of the young man dutifully attending law school who on the way became curious about the comings and goings of ants ...

However it may come about, we notice two traits of the second situation: (1) an openness of the thing before one---instead of being an exercise to be learned according to an approved mode, it is a garden of delights which beckons to one; (2) a sovereignty of the knower---instead of being a consumer of a prepared experience, I am a sovereign wayfarer, a wanderer in the neighborhood of being who stumbles into the garden.

One can think of two sorts of circumstances through which the thing may be restored to the person. (There is always the direct recovery: A student may simply be strong enough, brave enough, clever enough to take the dogfish and the sonnet by storm, to wrest control of it from the educators and the educational package.) First by ordeal: The Bomb falls; when the young man recovers consciousness in the shambles of the biology laboratory, there not ten inches from his nose lies the dogfish. now all at once he can see it, directly and without let, just as the exile or the prisoner or the sick man sees the sparrow at his window in all its inexhaustibility; just as the commuter who has had a heart attack sees his own hand for the first time. In these cases, the simulacrum of everydayness and of consumption has been destroyed by disaster; in the case of the bomb, literally destroyed. Secondly, by apprenticeship to a great man: One day a great biologist walks into the laboratory; he stops in front of our student's desk; he leans over, picks up the dogfish, and ignoring instruments and procedure, probes with a broken fingernail into the little carcass. ``Now here is a curious business,'' he says, ignoring also the proper jargon of the specialty. ``Look here how this little duct reverses its direction and drops into the pelvis. Now if you would look into a coelancanth, you would see that it---'' And all at once the student can see. The technician and the sophomore who loves his textbook are always offended by the genuine research man because the latter is usually a little vague and always humble before the thing; he doesn't have much use for the equipment or the jargon. Whereas the technician is never vague and never humble before the thing; he holds the thing disposed of by the principle, the formula, the textbook outline; and he thinks a great deal of equipment and jargon.

But since neither of these methods of recovering the dogfish is pedagogically feasible---perhaps the great man even less so than the Bomb---I wish to propose the following educational technique which should prove equally effective for Harvard and Shreveport High School. I propose that English poetry and biology should be taught as usual, but that at irregular intervals, poetry students should find dogfishes on their desks and biology students should find Shakespeare sonnets on their dissecting boards ...